Kopfschlag

online 
2007-today

Gaité Lyrique 
7 – 26 May 2013

Artverse 
10 – 20 October 2025

Online cadavre excquis

Kopfschlag is an anonymous, web-based collective artwork initiated in 2007 by Primavera De Filippi and Wolfgang Natlacen. Visitors to the site become co-creators: you may draw, erase, write, or rework art on a public shared canvas—a digital “exquisite corpse” where each contribution layers upon the previous.

Every mark becomes part of a diffuse memory, a visual archive accumulating over time, evolving in chaos and continuity alike. Kopfschlag offers no fixed beginning or end. It is not owned; it belongs to no single artist. Rather, it is a mutable repository of collective thought and image, ever shifting through input from its visitors.

At once anarchic and poetic, Kopfschlag weaves our traces of mind into a shared digital palimpsest— where lines erased and lines redrawn become testimony to the passing presence of many. In Kopfschlag, memory, creativity, and connection become inseparable. Each visitor’s gesture is both ephemeral and permanent a fleeting impulse embedded in the communal web.

Gallery

retrostition

There is this tale about the first caveman telling his friends a story as they sit around a fire inside their rocky shelter : one fell asleep, the other threw a rock at him and only the last one listened. The following day the tale was sketched out onto the cave walls for the next passer-by to continue telling the story. Though it may take thousands of years for the sketches to be extended into a sequel what the caveman left as a Neolithic memo was unexpectedly the first cadavre exquis of mankind. 400 hundred centuries later comes Kopfschlag as a follow up to this magic screen and as a kick in the teeth to the bygone cliché of world wide web amnesia Kopfschlag operates like an ongoing depository for the contours of our collective memories morphing into one another sketch after sketch, etching after etching.

negative entropy

There is a form of negative entropy going on here as if with its saturated slates of sketches Kopfschlag was getting us prepared to leave the planet and think beyond our solar system in a Pioneer 10 space probe’s descent. It could be that the chaotic accumulation of vectorial graffiti saved every day on Kopfschlag accelerates the evolution of biological and artificial life in a remote futurity. But who can draw the line ?
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